Introduction to the Work of Melanie Klein
The standard guide. Klein is difficult; Segal makes her teachable without flattening her.
A certain amount of anxiety is a necessary spur to this development. If the anxiety is excessive, however, the whole process of symbol-formation comes to a stop.
Segal wrote this short volume as a working exposition of Melanie Klein's thought, following the order in which Klein built it. She takes the paranoid-schizoid and depressive positions first, treating them as configurations of anxiety and object relation rather than fixed stages, then reads projective identification, envy, and symbol formation as consequences that follow. Each chapter pairs a concept with the clinical material that generated it, keeping the theory anchored to what Klein observed. For a practising clinician, the book supplies a vocabulary that holds under pressure: it shows how a patient's movement between positions organises defence, phantasy, and the capacity to symbolise. Segal sets out each move so it can be followed and put to work, without smoothing away what is hard in it. First published in 1964 and later enlarged with chapters on Klein's early work and on technique, it remains the text clinicians reach for when they need Klein set out whole.
About the author
Hanna Segal
Hanna Segal (1918 to 2011) was a Polish-born British psychoanalyst who trained in the Kleinian tradition, having been analysed by Melanie Klein and qualifying with the British Psychoanalytical Society in 1945. She wrote on symbol formation, the links between creativity and psychosis, and aesthetics, and her book Introduction to the Work of Melanie Klein (1964) set out Klein's ideas for a wider readership. She served as president of the British Psychoanalytical Society.
Details
- 1964
- English
- Routledge
- Routledge, 1964
- 154
- 9780946439508