Freudian Research Seminar – The Architecture of the Unconscious: Technology, Domestic Fantasy, and the Uncanny in Kane Parson’s 'Backrooms'
, Freud Museum London
Panos Liakos reads Kane Parsons' Backrooms as a spatial argument about the uncanny, setting Gaston Bachelard's poetics of intimate space against an architecture where nothing shelters and everything repeats. The paper follows Mary, the therapist who enters those corridors, as a literalising of what an analyst attempts. For clinicians interested in where the uncanny has migrated in contemporary horror.
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