the only major therapist I know of whose language would have pleased a poet
Adam Phillips reads D. W. Winnicott across five thematic chapters, from infancy and the holding environment to the wartime broadcasts and the late papers on play. Rather than fix Winnicott inside a school, Phillips traces how a paediatrician came to reorganise psychoanalysis around the mother-infant pair, the capacity to be alone, and the child's slow work of making a self. First published in 1988 in the Fontana Modern Masters series, the study was reissued by Harvard University Press and by Penguin.
Phillips argues that Winnicott shifted the emphasis from interpretation toward provision: the analyst who survives, holds, and gets out of the way. He reads the transitional object, the true and false self, and the good-enough mother as claims about how growth tolerates not-knowing. For the clinician, the book offers a compact account of why Winnicott distrusted premature meaning, and how his plain, provisional prose enacts the developmental freedom it describes.
About the author
Adam Phillips
Adam Phillips (born 1954) is a British psychoanalyst and essayist working within the psychoanalytic tradition. He served as principal child psychotherapist at Charing Cross Hospital in London and is general editor of the Penguin Modern Classics translations of Freud. A regular contributor to the London Review of Books, he has written many books, among them On Kissing, Tickling and Being Bored, Going Sane, and Becoming Freud, and is known for essays that bring psychoanalytic thinking to a general readership.
Details
- 1988
- Fontana Modern Masters
- Fontana Modern Masters
- 188