Philosophy in the Bedroom
A libertine dialogue stating a law of pleasure that admits no exception. Lacan set it beside Kant and asked what they share.
Written in 1795 and cast as seven dialogues, this libertine philosophical dialogue schools a young woman, Eugenie, through a curriculum delivered chiefly by the atheist Dolmance and Madame de Saint-Ange. The instruction argues that nature sanctions the pursuit of enjoyment without limit, that conscience, religion, and pity are learned obstacles, and that reason can be marshalled to license what feeling would restrain. A long pamphlet read aloud in the fifth dialogue extends the case from the bedroom to the republic.
For psychoanalysis the text became a hinge through Lacan's essay Kant with Sade, which reads Dolmance's reasoning as the hidden face of a moral law purified of all inclination. What the dialogue holds up for a clinician is a voice that commands satisfaction rather than forbids it, and prosecutes any hesitation with the same severity a prohibition would use. It shows enjoyment installed as duty, cruelty rationalised into principle, and the demand pressed past any point where the body could comply.
About the author
Marquis de Sade
Donatien Alphonse Francois, Marquis de Sade (1740 to 1814) was a French aristocrat and writer. He spent much of his adult life in prison and asylums, including his final years confined at Charenton, largely for sexual offences and for his writings. His libertine philosophical fiction, among it Philosophy in the Bedroom (1795), later gave the psychiatrist Richard von Krafft-Ebing the term sadism. Jacques Lacan examined his work in the essay Kant with Sade (1963).
Details
- 1795
- French